Saturday, July 31, 2010

Roadtripping Fantasies

Before I say anything, I have to give credit for this idea to one of my favorite bloggers, Rhiannon of liebemarlene.com. She sells vintage clothing (and anyone who knows me knows I love vintage anything) and always has stunning photos to share. Sometimes she'll put together pretend outfits for pretend vacations, which is a cute idea. I couldn't resist doing my own, since sometimes I can't seem to pull my head out of the clouds!

I love traveling and sometimes I love clothes. When it comes to clothes, I'm all or nothing: t-shirt and jeans or blouse, pants, heels, jewelry, bag, the whole shebang. What I love most though is PLANNING. I plan everything: what to wear x day, what to eat, when to get my hair cut like x, etc. So pretending to be packing for a vacation is pretty fun to me.

Normally I just fantasize about trips; I have a long list of places I wish to see. However, there's one trip I have my heart set on, and WILL do (I'm saving now!). When I graduate in 2012, I want to take a roadtrip to Minnesota to see my family. I want to go north, then east, in order to see Grand Teton, Glacier National Park, and obviously Yellowstone. So I will be eating mac n cheese for the next couple of years to make this happen, and I don't mind a bit.

In the little picture I have in my head, I see two great lags of the trip: northwest hiking and Midwest prairie/small town hopping. So I would pack accordingly:




And of course I would have music with me: edgier, more energetic stuff for the grueling West and more mellow classics for the Middle.



Wednesday, July 28, 2010

Return Home (?)


It's easy to feel content with the place you live in when you never get out. I go to Minnesota once or twice every year, and whenever I come home to Tucson, I want to get OUT OUT OUT. I like Tucson, I LOVE its art scene, but I hate Arizona. A lot. Always have...so we'll see what the future holds.

I'm not one of those "family=best friends" people, but I do love my mom's family (and would like to be closer to them). They've had a large influence on my sense of self, particularly heritage wise. Since crossing the Atlantic, my family has resided in Minnesota, so the place is close to my heart.

My great-grandfather, Joseph Milashius, hailed from Lithuania. I'm not sure exactly where, but his brother Bronius wrote a book which mentions the village of Bruzaiciu. Bruzaiciu is tiny, near Kaunas and the Kaliningrad border. http://translate.google.com/translate?hl=en&sl=lt&u=http://lt.wikipedia.org/wiki/Br%25C5%25AB%25C5%25BEai%25C4%258Diai&ei=MvhQTJGHMIbCsAO_y-CwDg&sa=X&oi=translate&ct=result&resnum=2&ved=0CBwQ7gEwAQ&prev=/search%3Fq%3DBr%25C5%25AB%25C5%25BEai%25C4%258Diai,%2BTaurag%25C4%2597,%2BLietuva%26hl%3Den%26sa%3DN%26prmd%3Dm

My great-grandmother, Mary Delkoski, came from Opole, Poland. I never knew about this specific region until I looked through our genealogical stuff this latest trip. Apparently the region is a melting pot for Polish and German peoples, which explains the German blood in the fam! It's a fascinating little place--I hope to see it one day! http://en.wikipedia.org/wiki/Opole

Tuesday, July 20, 2010

Travel





I'm going to MN/WI tomorrow. I'm so thrilled- I need to get out of this awful state! Arizona is beautiful in its "own special way" I suppose, but the Midwest countryside is undoubtedly gorgeous.

Some art representing my reverence. The abstract forest is in colored pencil and the Northern Pike is in pastels.

I LOVE James Wright. He captures the Midwestern countryside effortlessly and is the master of the twisted ending. Here's his poem "Northern Pike":

All right. Try this,
Then. Every body
I know and care for,
And every body
Else is going
To die in a loneliness
I can't imagine and a pain
I don't know. We had
To go on living. We
Untangled the net, we slit
The body of this fish
Open from the hinge of the tail
To a place beneath the chin
I wish I could sing of.
I would just as soon we let
The living go on living.
An old poet whom we believe in
Said the same thing, and so
We paused among the dark cattails and prayed
For the muskrats,
For the ripples below their tails,
For the little movements that we knew the crawdads were making
under water,
For the right-hand wrist of my cousin who is a policeman.
We prayed for the game warden's blindness.
We prayed for the road home.
We ate the fish.
There must be something very beautiful in my body,
I am so happy.

Sunday, July 18, 2010

Poems from my teenagehood (oh boy)

I pulled all of my old poems off my parents' computer. Some of them were 3-4 years old. Some of them surprised me and I feel I can work with them, but some were just baaaad. But hey, we all have to start somewhere right?

The "good"

Chai

Night-time grips the skyline
as a tissue scuttles across
the road like some kind
of wounded wretched creature.

No matter whose house it is my heart pounds.

A flutter in my veins
as we discuss places and
services in the world.

White privilege and spiritual partners and I
don’t like to use the word “love” because it is so heavy.

The amount of my life that hasn’t
been spent in internal dialogue
could fit into this two-dollar chai.

I am enamored with
the slenderness of your ankles;
wondering if the flaw within
me is in him or in my perception
of him- all strife is internal.

The clock says 8:45 and I don’t believe it.
Time is not the fourth dimension but I
suppose all is relative.

I never realized how long his legs were
until I nervously tried to keep up
with his steps without disrupting
the conversation.

What have I missed out on
with my numbing attempts?
I ask you.
And you respond,
“Everything you think you have.”

My eyes are tired and my heart sunken,
as a tissue scuttles across
the road like some kind
of wounded wretched creature.

Expectations

I’ll go in five minutes
not before I crank
out a poem about
my and your wrongs.

Too in love
infatuation, denial
something
to see straight
to be angry
to feel mistreated.

I watched tv with him
and sat outside.
No right
to have expectations.

No right
to want
to be poured
over.

We walked his dog in the rain.

Joy


Stretching in the shower.
Hairspray makes the cuts show clearer.
Puffy red to match the stuffed animal.
Bloated sodium starvation stomach.

Itchy itchy exploded blood vessels.
Penny taste fingernail cuticles.
Flakey folded wrinkly elbows.
Fat stump jaundiced knees.

Chewing chewing chew.
On every pillow case and straw.
Scratching scratching scratch.
On every green segment oxidized.

Sit-ups on chilly midnight mornings.
Squats in bathroom stall lunch breaks.
Architect of maniacal beauty.
Builder of Splenda joy.

Void empty hollowness.
Epitome of effort.
Hyperbolic sensitivity.
Plummet spiral.

My Rimbaud Body


Caffeine and nicotine spit-
dirt packed under nails,
and entrenched in cuticles.
A drawer of laxatives
and generic sleep aids
to write a poem à la Rimbaud.
Mais il n’y a pas assez de talent,
my efforts at enchantment
are nothing more than narcotic
nurturing. Relapse without relapse.
The cuticle on my left middle finger
is peeling and oozing and I tend to it
with serrated canine edges.
Scar tissues forms slower if
wounds heal faster and I know
how much you enjoy my scars.
Mountain ridges on an otherwise
smooth landscape to tell of tales
of bitterness solitude hate and
everything else that you are
too full of just youthful spirit
to undertake and comprehend.
Let’s guide our bodies to tell
us stories and recite poetry of
ancient archaic love lost gone.
These words on this page at this hour
could not possibly summarize to you
the trials that my cuticles have seen
as I’ve tried out my Rimbaud life.


Not my best stuff, but keep in mind I wrote these at about 16 or 17, and as Rimbaud said, when you're 17 you know nothing.

The ugly:

Here's this monstrosity for your enjoyment. What was I thinking with that aaaa hard rhyme scheme?! UGH!

Not Much Else

The leaf flickers across the board,
as the gentlemen are being told
about the women who scold
without conscience of what is old.

She is awake when she is confused,
questioning this or that and being used.
Glowing in misery, dripping news
of her once man now paying his dues.

And she says, “Where are these gentlemen?”
She lay on her leather couch in the den,
where have all her tears and leggings been?
Clouds drifting in this mis-en-scene.

He claims it’s a poem by Rimbowed.
She turns to him, thinking Rimbaud,
but he’s gone with the word in tow.
Oh well, she thinks, not much else to know.

Since I've been on this Bourdain kick lately (I've always loved him but for whatever reason now I REALLY love him) and many of the above poems concern food, I'm going to feature an actually good food poem. This is a poem by Li-Young Lee, an Indonesian born poet who taught at my college, the University of Arizona, for a few years. I have to admit I'm not much into international poetry with the exception of French and Russian. No particular reason, it just hasn't happened. However I find Lee's compressed style oddly liberating and powerful. This last line is a killer!


Eating Alone


I’ve pulled the last of the year’s young onions.
The garden is bare now. The ground is cold,
brown and old. What is left of the day flames
in the maples at the corner of my
eye. I turn, a cardinal vanishes.
By the cellar door, I wash the onions,
then drink from the icy metal spigot.

Once, years back, I walked beside my father
among the windfall pears. I can’t recall
our words. We may have strolled in silence. But
I still see him bend that way-left hand braced
on knee, creaky-to lift and hold to my
eye a rotten pear. In it, a hornet
spun crazily, glazed in slow, glistening juice.

It was my father I saw this morning
waving to me from the trees. I almost
called to him, until I came close enough
to see the shovel, leaning where I had
left it, in the flickering, deep green shade.

White rice steaming, almost done. Sweet green peas
fried in onions. Shrimp braised in sesame
oil and garlic. And my own loneliness.
What more could I, a young man, want.

Saturday, July 10, 2010

Help me meet one of my idols!


Anthony Bourdain is hosting an essay contest. Winner gets published in his upcoming book and receives 10k from the hands of the man himself! Please create an account (it's free!) and vote for my essay. I will be so grateful!

http://bourdainmediumraw.com/essays/view/521

Friday, July 09, 2010

Photoshoot--Stumbled upon a creepy empty house






"Preacher was a talkin’, there’s a sermon he gave
He said every man’s conscience is vile and depraved
You cannot depend on it to be your guide
When it’s you who must keep it satisfied
It ain’t easy to swallow, it sticks in the throat
She gave her heart to the man
In the long black coat

There are no mistakes in life some people say
It is true sometimes you can see it that way
But people don't live or die, people just float
She went with the man
In the long black coat

There’s smoke on the water, it’s been there since June
Tree trunks uprooted, 'neath the high crescent moon
Feel the pulse and vibration and the rumbling force
Somebody is out there beating a dead horse
She never said nothing, there was nothing she wrote
She gone with the man
In the long black coat"-- Man in the Long Black Coat, Bob Dylan

Wednesday, July 07, 2010

I love Tony Bourdain!





I have to confess my ever growing affection for Anthony Bourdain. I've been watching "No Reservations" since the first season. Initially it served as my "travel porn," allowing me to immerse myself into a fantasy world of beautiful places I otherwise would never see. However, as years have gone by I find myself watching it more for Bourdain. I read his blogs (not his books yet, though I plan to) and he's just wicked funny and raw. I relate to him a lot...a control freak, organized and critical, yet artistic and dirty. Of course it also thrills me that he's into the New York punk scene, home to The Stooges and Television, as I am--only he lived it. His love of tattoos and the f-word makes me all warm and fuzzy.

A lot of animals rights activists hate him, because he is outright opposed to vegetarianism. As a pescatarian, I am not offended by his views in anyway. He claims that "vegetarianism is a First World luxury" and I completely agree. I can afford to refuse red meat and poultry, but too many people do not have this choice. For a vegetarian to claim that his/her's diet is the only way to go is ludicrous. The only reason I don't eat red meat and poultry is because of the cruel and disgusting ways they are raised and prepared in this industrialized nation. If I lived near a local butcher in Tuscany, I'd be all over meat. So yes, I've been called a hypocrite, eating fish while putting down the cattle industry, but I don't care. This is how I see it. And veganism is again a personal matter--I will never be a vegan but I support those who are, as long as they don't give me shit.

Anyway, Bourdain is a big supporter of eating all of the animal, which is the way to go. I have to laugh at people who cringe at tribes eating intestines on "No Reservations" or "Bizarre Foods." Guess what's in your hotdogs! Bourdain has the upmost respect for his craft and defends it vehemently, which is why I respect him above all else. His frowning upon the Food Network for cheapening and commercializing fine cuisine is akin to my shunning of community poetry forums, in which 15 year olds write about hearts and coffins and call themselves poets. Ick ick ick.

Sound pretentious? Maybe Tony has gotten to me.

Also, I have to point out the fact that he is a downright knockout with a fantastic grasp on sarcasm. Need I say more? I can't wait for more episodes of the new season!

Untitled short story (and unfinished)

I've been working on this short story for about 4 months (I know, not much to show for it, but I am the slowest fiction writer in existence). It's inspired by my not-so-proud ventures of high school, but is in no way autobiographical. I have no idea what to call it! Grr! Suggestions always appreciated :)

Prologue


I loved Lady Lazarus more than I knew I could love anyone. I loved her where I wanted to breathe her, wanted to consume her. Her features begged for rapture. Endless breakable legs, ethereal skin, dark rimless eyes the size of ice cream scoops. At her peak was the inorganic red hair—so unnatural but so fitting, she wasn’t born with it but she was meant for it. It is a curiosity that god created any human after her growth into the perfect one. And she was. From head to toe she was wonderfully fake and perfect.
Her face was not my face. From brow to chin she exemplified femininity in her lack of definition. Smooth and untainted china, invaluable. My face was nothing but corners and height. If her face was fine china mine was cutlery—and I sported it as such. No one was going to set me on tabletops and no one was going to handle me carelessly.
Lady Lazarus and I were inseparable, unhealthily so perhaps but we had no one and nothing else to do but feed each other. We lived off of nicotine and hair dye and black coffee and nothing else. We took turns using the toilet to vomit and compared notes. I know this doesn’t sound like love but it was love in a muddy way. I would have died for her and I think she would have died for me. That is how I defined love and yes I loved her.
We were enveloped in a ménage-a-trois with our only semblance of a closer friend, Bull Burden. Bull was the gentlest of gentle souls and graced everyone and anyone with his shy toothy smile. Us sick creatures took great comfort in Bull’s presence. He was a tall, thick, working horse of a man who wanted nothing more than to see us heal. We cheated him by crying all the time, nestling him for warmth. And he never complained. Not a once.
Lady Lazarus, Bull Burden, and I loved books and coffee. It’s hard to believe but that’s all that ever made us happy. Those two things and each other. So I suppose each of us had four things that made us happy.

Part I

Lady Lazarus and I embraced each other drunkenly. Her perfectly small head drooped in my solid crosslegged lap. She was moaning incomprehensibly, either unable to speak, voicing pain, or moaning for the hell of it I don’t know.
“I need to pee.”
I knew how to respond. I rolled her off and, upon my standing, grabbed her paperthin forearm and jerked her upright. While her weight rested against mine, I walked her to the bathroom, as though she were someone’s shuffling grandmother.
She was giggling now. My eyes were blurry from the eye protein on my contact lenses and the hours of nonstop vodka. I sat on the floor and in the process almost forgot her precarious position on the toilet. She was cackling uncontrollably, her chipped nails digging into the lid desperately trying to keep her body from sliding off. She loved every minute of it.
I hated to stop her idiotic bliss. She was so gorgeous in her cheap tequila-soaked moment. Forgetting everything for a few minutes, she found such pleasure in teetering on the toilet. But I had to grab her and put her pants back on. She shrieked as I lifted her, she saw the slip coming—I’m only so strong after so many drinks. Her head hit the tub.
“Oh god! I’m so sorry, so sorry, are you okay? I’m really sorry.”
She started squealing and laughing, her eyes wincing and tearing, her tongue poking through her smeared crimson lips. I started cackling until I felt my heart swell enough to rub against my lungs and make me pop with pressure. I fell onto her. Our arms locked around each other. We were in a perfect embrace. We were Tiresias’ snakes, wound together in slippery delirious glory, waiting for the mighty cane to beat us into sanity.

We always waited for sanity. We never went looking for it. That would require being sober.

Part II

I drove her to work. She was two years younger than me, with a fresh license. I suppose the difference motivated me to nestle her, making any space around her as warm and accommodating as possible. Transportation was no exception. She closed her enormous lids and wrapped her twiggy arms around the narrow area under her chest. Her seatbelt rested against her chest softly. Her cell phone buzzed.
“Can you pick me up from therapy tomorrow?”
“Sure.”
We sat in silence; she basked in the hot Western sunshine coming through the passenger window. We were both in therapy. Like classic middle-class white kids, we both took it for granted. I’m a fuck up and no one’s gonna fix me. Anyone who did not stand back and watch our fiery spiral was the crazy, quite obviously. We were artists. We were supposed to be out of control! How else were we supposed to create? We would die.

We always thought we were going to die early. It was just a matter of what was going to get us.

She worked at a restaurant. Everyone loved her. She was a charmer of humans of all kinds. I drove her across town every week. I lived with my parents. They didn’t know her. She was mine.

We were artists and we would die. Who could possibly understand?

We got Bull along the way. Bull reminded me of photos I had seen of young Kerouac, high in the forehead and always in Levis and beat up shoes. He looked like a drifter. In many ways I suppose he was, he was up for anything at anytime. We tossed him around like a used baseball—despite my undying devotion to Lady I could hate her and he went from girl to girl for supplementing our needs. He took the full force of each of us manic heavyweights and still stood. In short we both treated him like shit and he never complained about it.

“So what are you feelin’ today, Bull?”
“Whatever.”

This was typical. We drove on in silence. A half hour later we arrived at Lady’s work and dropped her off. Love told me she was grateful but I never heard it from her lips. All I could do was shrug. I turned to Bull.

“Does coffee sound good?”
“Yeah.”

And we were off. Coffee, books, and waiting on Lady’s call. Our lives day in and day out.

Monday, July 05, 2010

Not much to write about lately. Since getting my operation done I've been unfortunately lazy with my writing/painting. I've been catching up on my reading though. I finished Camus' "The Plague" and enjoyed it, but I'll definitely need to read it again, the subject matter's pretty dense. I'm halfway through "War & Peace." I think if you have the time you should attempt to tackle it, one chapter at a time. It's a beautiful piece of work-- essentially you hold all of Napoleonic Russia in your hands. There's a few boring battle scenes, but overall it's very engrossing. I'm 25 pages into Thomas Pynchon's "Gravity's Rainbow." I definitely appreciate the freeflowing, surreal nature of the novel. It's akin to "Cat's Cradle" meets "Naked Lunch." Difficult, yes, but fascinating. Reading it will be an endeavor.

I promise that soon I'll have actual writing for your (dis?)pleasure. In lieu of that, here's some links. My favorite videos--some legit, some artsy, some hilarious.

Tourette's Guy's best moments in a song. Warning, NSFW!:

The sexiest thing I have ever seen. Live performance by The Dead Weather, which contains Alison Mosshart (see Kills post) and Jack White. Nuff said. WOW at 5:04

A tragic collage of video/audio clips of Edie Sedgwick. The fashion world chewed her up, poor thing. By the way, there's Uma Thurman's mom at 2:57.

Bob Dylan's quick mind at work.

Amazing amazing stuff. Kerouac reading from "On the Road" on the Steve Allen Show in 1959. Beautiful words, beautiful voice, beautiful man.

"Anyway I wrote the book because we're all going to die"

Thursday, July 01, 2010

Death is a gang-boss

Not a joyful post tonight. I'm going to post two poems, one by me and one by Paul Celan, that deal with the human tragedies of the early 20th century. My poem, "A Daughter's Famine," was inspired by a lesson on Stalin's purges.

A Daughter’s Famine

She ripped a hole in her foot.
The arid earth pulled back in sheets
exposing gray keen stones
risking putrid infection.
Papa Koba held her shoes.

She clutched her Caucasian eyes.
Salt escaped from the tear ducts
but no water and they froze painfully
in the crippling nausea of hunger.
Papa Koba shrugged upon her ribs.

She peeled off her skin in layers.
The crust of her bones coated
the breadless earth with the crust
of other bones—miraculous fertilizer.
Papa Koba approved.

His steel boots sloughed organ caked
black earth which had grown luscious
with protein.

He held her shoes in a
pockmarked meaty fist.

He was a hard man.
He was the Sadovnik chelovecheskogo schast'ja and
he was a father. And she

she was nutrients.

This next poem, "Deathfugue" by Paul Celan, is by far the best poem about the Holocaust ever written. Celan and his parents, both Austrian Jews, escaped with their lives from the camps. My heart was in my throat when I heard a reading of this poem.

Black milk of morning we drink you at dusktime
we drink you at noontime and dawntime we drink you at night
we drink and drink
we scoop out a grave in the sky where it’s roomy to lie
There’s a man in this house who cultivates snakes and who writes
who writes when it’s nightfall nach Deutschland your golden hair Margareta
he writes it and walks from the house and the stars all start flashing he whistles his dogs to draw near
whistles his Jews to appear starts us scooping a grave out of sand
he commands us to play for the dance

Black milk of morning we drink you at night
we drink you at dawntime and noontime we drink you at dusktime
we drink and drink
There’s a man in this house who cultivates snakes and who writes
who writes when it’s nightfall nach Deutschland your golden hair Margareta
your ashen hair Shulamite we scoop out a grave in the sky where it’s roomy to lie
He calls jab it deep in the soil you lot there you other men sing and play
he tugs at the sword in his belt he swings it his eyes are blue
jab your spades deeper you men you other men you others play up again for the dance

Black milk of morning we drink you at night
we drink you at noontime and dawntime we drink you at dusktime
we drink and drink
there’s a man in this house your golden hair Margareta
your ashen hair Shulamite he cultivates snakes

He calls play that death thing more sweetly Death is a gang-boss aus Deutschland
he calls scrape that fiddle more darkly then hover like smoke in the air
then scoop out a grave in the clouds where it’s roomy to lie

Black milk of morning we drink you at night
we drink you at noontime Death is a gang-boss aus Deutschland
we drink you at dusktime and dawntime we drink and drink
Death is a gang-boss aus Deutschland his eye is blue
he shoots you with leaden bullets his aim is true
there’s a man in this house your golden hair Margareta
he sets his dogs on our trail he gives us a grave in the sky
he cultivates snakes and he dreams Death is a gang-boss aus Deutschland

your golden hair Margareta
your ashen hair Shulamite